Frame & Field Studios Business Plan — Key Performance Indicators
The utilisation, day rate, edit turnaround and repeat-client indicators reported weekly, with targets and thresholds.
Key Performance Indicators
Jump to section
- Overview & contents
- i. Important Notice and Basis of Preparation
- 1. What Artificial Intelligence Has Taken, and What It Has Not
- 2. Executive Summary
- 3. Service Lines, Clients and Pricing
- 4. Capacity: The Shooting Day and the Editing Day
- 5. SWOT and Competitive Position
- 6. Organisation, Rights and Compliance
- 7. Financial Plan
- 8. Break-Even and Debt Service
- 9. Investment Analysis
- 10. Sensitivity and Scenario Analysis
- 11. Risk Analysis
- 12. Implementation Roadmap
- 13. Key Performance Indicators
- 14. Key Assumptions
- 15. Conclusion and Recommendation
- A. Appendix A: Consolidated Financial Summary
- B. Appendix B: Capacity, Mix and Cost Schedules
- C. Appendix C: Funding, Debt and Working Capital Schedules
- D. Appendix D: Risk Register
- E. Appendix E: Glossary
The following are the operating measures on which this studio should be managed. Three of them — billable utilisation by photographer, the editing backlog in weeks, and the forward diary at eight weeks — are reported weekly, because a photography diary is booked and lost in weeks rather than months.
|
Indicator |
Definition |
Target |
Why it matters |
|---|---|---|---|
|
Billable utilisation by photographer |
Billable days divided by working days, per photographer |
71% at maturity |
Break-even is 39.9%. The single most important number in the business |
|
Editing backlog in weeks |
Shoots awaiting delivery divided by weekly editing throughput |
Below three weeks |
Editing binds output in every year. A backlog is unbilled revenue |
|
Editing ratio |
Post-production days divided by shooting days |
0.87 blended, falling |
A 15% improvement is worth R515235 — more than the same movement in utilisation |
|
Blended day rate in real terms |
Revenue divided by billable days, deflated |
R20946 rising to R23407 |
A 10% movement swings mature EBITDA by R5617680 |
|
Service mix by share of days |
Days by service line divided by total days |
Catalogue below 5% |
Weighted AI exposure of 21.8% against 54.0% on a conventional mix |
|
Forward diary booked at eight weeks |
Confirmed shoot days eight weeks ahead |
Above 60% of capacity |
Utilisation is a scheduling achievement, not a sales outcome |
|
Revenue per photographer |
Revenue divided by photographers |
R2780018 rising to R3727901 |
The productivity measure that captures rate, utilisation and mix together |
|
Client concentration |
Largest client share of revenue |
Below 25% |
Clients follow individuals in this industry; concentration compounds that risk |
|
Debtor days |
Trade receivables divided by revenue, annualised |
58 days |
Working capital reaches 16.3% of revenue and exceeds the facility from Year 4 |
|
Debt service cover |
EBITDA divided by interest and capital |
Above 1.30x from Year 3 |
Negative in Year 1 by construction |
13.1 Reporting cadence and ownership
|
Measure |
Cadence |
Owner |
Source |
|---|---|---|---|
|
Forward diary booked at eight weeks |
Weekly |
Producer |
Booking system; the earliest signal the business produces |
|
Billable utilisation by photographer |
Weekly |
Producer to managing director |
Timesheet against the diary, by individual |
|
Editing backlog in weeks |
Weekly |
Lead editor |
Shoots delivered against shoots awaiting post-production |
|
Editing ratio by service line |
Monthly |
Lead editor |
Post-production hours logged against shooting days |
|
Blended day rate in real terms |
Monthly |
Managing director |
Invoiced revenue divided by billable days, deflated |
|
Service mix by share of days |
Monthly |
Producer |
Days by line; catalogue held below 5% |
|
Client concentration |
Quarterly |
Business development |
Rolling twelve-month revenue by client |
|
Debtor days and facility headroom |
Monthly |
Finance |
Aged debtors against the R3 600 000 facility |
Two features of this table matter more than the measures themselves. The first three are weekly rather than monthly, because a photography diary is booked and lost in weeks and a monthly report arrives after the correction window has closed. And utilisation and the editing backlog are owned by different people on purpose: the producer cannot clear a backlog and the lead editor cannot fill a diary, so a studio that gives both to one person will find that whichever is more visible receives the attention.